The text is propagandistic, but this had become Reconstruction of the submarine attack on an American ocean liner off the coast of The Sinking of the Lusitania is an animated You can consider The Sinking of the Lusitania (1918) by Winsor McCay as the first Propaganda films, educational films, and nature films in the category. We can expand our repertoire of animated documentaries if we also decide to place The Sinking of the Lusitania by Winsor McCay Hardly recognizable – you’d pass right by them on the street. In contrast to the stars of A Scanner Darkly, the kids in this film are A rotoscopedĪnimation film goes even a few steps further, and technique determines how far.įor the series Naked, in which young people talk about sex, Mischa Kamp also used Aīlack-and-white film goes a step further and leaves colour out. An average colour film loses the three-dimensional effect of reality. The question with this sort of films is of course how much the animation resembles Winona Ryder – even though they are now shrouded in a layer of animation. Gets rotoscoped, but the actors are still perfectly recognizable as Keanu Reeves and Waking Life and A Scanner Darkly by Richard Linklater. Rotoscoping is a technique in which animators trace over live-actionįilm movement, frame by frame, for use in animated films. Ones he drew? What’s the essential difference?įilms in which film recordings are reworked into animation come even closer to If we accept his spoken memories as documentary, shouldn’t we do the same with the To the United States, and he and his father returned to Czechoslovakia after the war.įierlinger didn’t only record the voice-over himself, he also drew all the animations. Fierlinger wasīorn in Japan to Czechoslovakian diplomats just before World War II. Certainly forĪ life-story documentary, and Drawn from Memory is precisely that. Speaking, we accept voice-overs in documentaries without any problem. Sound less documentary than excerpts from an interview, as a voice-over is usually aĬarefully thought-out text that is written beforehand and read aloud. In this work, the soundtrack is a voice-over. The visually stunning and excellently animated Drawn from Memory (1995) by Paulįierlinger goes a step further. Was a washed-up animation filmmaker, which gave this treatment a power and logic Subjects’ heads are filled with holes, out of which sprout colourful forms that functionĪs abstract depictions of their memories and feelings. That might seem time-Ĭonsuming, but sometimes you just don’t have any film footage. Subjects have been recreated so they’re still recognizable. The impressive Ryan (2004) by Chris Landreth is also an animated interview in which the The animations seem to be an acceptable manner to portray theirĮxperiences – it’s not as if their abductions were captured on film. Their stories are illustrated with animations that are based on In Abductees (1995) by Paul Vester, people are interviewed who claim to have beenĪbducted by aliens. In some illustrated radio documentaries, the picture offers extra information about I don’t think so.Īnother valid question is if the animation distracts from the soundtrack – or if itīecomes difficult to distinguish between the two. The question is if Lip Synch: Going Equipped is endowed with lessĭocumentary value in its present form than these alternatives. People on the street, we still wouldn’t have any trouble labelling the film aĭocumentary. If the director had used archive material, such as footage of prisons and But in thatĬase, the picture wouldn’t have offered the slightest bit of supplementary informationĪbout reality. Hadn’t wanted to appear on-screen and the filmmakers had used digital means toĬonceal his identity, everyone would still have called it a documentary. Only then we’d refer to it as a radio documentary. Is this a documentary? If there hadn’t been any picture at all, the answer would’veīeen an easy yes. This clayĪnimation is subtle and convincing, and does not distract from his spoken words. Spent a good deal of his days behind bars, but what we see is clay animation. In Lip Synch: Going Equipped, we hear an interview with a criminal who has This animated film was made by Aardman Animations, renowned for Wallace and The interview is illustrated withĪnimated images, which often consist of archive footage and even manipulatedĪ nice example of such a documentary is Lip Synch: Going Equipped (1989) by Peter Lord. Soundtrack, usually consisting of an interview. Here, the documentary element lurks in the The simplest, least controversial form of the animated documentary is the so-called
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